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Mumbai, London, Barcelona

Mumbai, London, Barcelona

A few months ago The Municipal Art Society of New York, a client, sent me abroad to capture the stories of leading urbanists Dr. Joan Clos and PK Das. A former mayor of Barcelona, Dr. Clos is now an Undersecretary at the UN and Executive Director of UN Habitat; Mr. Das is an eminent architect in Mumbai renowned for the unique intersection of design and activism in his work. And though I’m very pleased with how the videos came out, what follows is a personal journey through their cities.

The trip to Mumbai came first, and within the first two days I had filmed scenes in luxury condominiums and in the slums. A six-story billboard of Donald Trump loomed above the site of a future development. Heavy, omnipresent traffic served notice of the sheer size of a population I would see in mere slices but feel intuitively like the temperature. One might need to spend a month there to have an exchange with the place. Instead, the five days felt more like standing in front of a firehose of cultural content: images, smells, tastes, language. These few photos are inadequate, yet the only evidence I can submit.

I spent less than a day in London: coffee and drinks with a friend, made a new one, conducted two interviews, and flew out to BCN before dinner.

Unknown to the client, however, was the fact that I’d spent a year of my life in Barcelona during another era.

Visiting neighborhoods I hadn’t seen in more than twenty years brought out a special emotion: at times it felt like a visit with a former self. My Spanish has faded considerably. I no longer wear the cloak of the invincibility that wrapped my teenaged shoulders like a birthright. More like invisibility – gone are the dyed-orange dreadlocks, the boundless enthusiasm, the certainty that my moment is at hand.

There were things I hadn’t considered as a teen: the number and quality of public spaces in Barcelona is incomparable to most American cities. Art suffuses the place. The scale of the built environment is relentlessly humanistic.

I was struck that the passage of time has affected me more than the place. City blocks, though changed, were recognizable but who would recognize me? And yet.

The things I learned in that place, at that age, carry forward. The opportunity to live abroad – the challenges of moving through a foreign, and at times hostile context – helped to build a store of resilience that I depend on in this career as creative professional. The color of the Mediterranean light is a treat in itself, to be bathed in it daily is a reward all should experience. To experience it again, a gift. And in that city I observe a way of carrying oneself with confidence, with lightness, with purpose – tools for everyday living.

There are more lessons, of course. But I’m not able to grasp them yet. I will return.

About The Author

Raafi Rivero has directed numerous short films, advertisements, and music videos in addition to work in design. His directing credits include a suite of promos for HBO’s True Blood, content for Microsoft, Sony, The Rockefeller Foundation, and an Art Directors Club award-winning viral campaign for the Maryland Lottery. Heart of the City, a transmedia film pitch, was the inaugural winner of London’s Power to the Pixel competition in 2009 and part of IFP’s No Borders film market the following year. Their Eyes Were Watching Gummy Bears, a 2010 short film, has played more than 20 film festivals to date, winning honors in multiple cities. Raafi’s music videos for Ghostface Killah and Styles P have aggregated over a million views online. 72 Hours: a Brooklyn Love Story?, Raafi’s first feature film, premiered at the LA Film Festival in 2016.

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